Confessions of a Tired Hiking Guide

A cold morning foot bath. WCT/Pacheedaht Territory

Sort through paperwork, email guests, call the hotels and helicopters, check the weather, run to Superstore for groceries, pack food, check group gear, frantically pack my backpack and drive off to the wilderness with a bunch of anxious guests. Come home late eight to ten days later, unpack and clean gross gear, check emails and missed phone calls, slump on the couch for a few hours of youtube, and repeat.

Blow Hole, WCT/Ditidaht Territory

Sea Stack, WCT/Ditidaht Territory

Cold, Rainy Fire, WCT/Huu-ay-aht Territory

My summer came and went with a furious blast of back-to-back to back trips with very little time off in-between that left me on the brink of burning out. I started with a West Coast Trail that brought thigh deep water crossings in the surf, 60+ pound packs, a couple 18-hour work days and a 50km detour by boat to try to find our food drop. After finishing the trip and flying home, I had a few days to plan a Yukon River trip that seemed doomed from the start.

The wildfire situation had closed the highway to Dawson and the melting snow pack was leading to high water levels on the river and flooding in many Yukon communities. Hoping for the best, we left downtown Whitehorse paddling north in six canoes. Unfortunately, our luck didn’t last long and within a few hours, we faced a river blockage caused by 17 boy scout canoes, followed by unrelenting torrential rain for three days and 2-4’ waves that threatened to swamp our boats.

Somehow, we managed to get to Carmacks nine days later without losing any boats or people, but by the time I got home, it was barely a month into my season and I wasn’t sure I could keep going.

Ddhäl Ch’èl Cha Nän - Ragged Mountain Land
— Hän Language, Trʼondëk Hwëchʼin First Nation

Hanging on by a thread, I transitioned out of the canoe and into my hiking boots and headed north to Ddhäl Ch'èl Cha Nän. Over the course of four trips in Tombstone Territorial Park with the support of my amazing co-guides Nat, Étienne and Kate, my energy slowly returned. While the breathtaking views of the mountains never ceased to amaze me, it was the relentless wind, the daily extreme weather shifts and constantly transforming landscape that seemed to refill my lost energy reserves. To see the land change from hills carpeted in wildflowers radiating every colour imaginable to snowcapped mountains draped in fiery reds, oranges and yellows, it reminded me why I love guiding and why I want to continue bringing people out onto the land.

Ddhäl Ch'èl Cha Nän / Trʼondëk Hwëchʼin First Nation

For me, guiding is two sides of a ruthless coin. One side is an opportunity to viscerally experience the land and to master skills that let you safely and comfortably bring others along with you. The other side is a brutal, three-month schedule that makes it incredibly difficult to do anything else, and strains important relationships as well as your ability to take care of yourself.

I’m still curious about this guiding thing and I want to see how far I can go with it. This year has taught me that without a good work/life balance everything can collapse but I’m determined to try anyway. I want to make guiding sustainable environmentally, ethically, but most importantly personally. Let’s see what happens.

Springtime News

Yukon spring

Spring is finally here in the Yukon! Another winter has passed, the snow is melting, and the infinitely long days have arrived.

April kicked off with a spectacular concert at the Heart of Riverdale. I got to plan an entire concert of new music in a theatre that was packed to the brim with people! I was a little emotional at times to be finally creating real live music after so many years of putting off concerts.

Skagway

I then ditched the trumpet to get some spring skiing in, ripped to Penticton for 5 days of great climbing, and hosted a few visiting friends from down south.

I wanted to give them a jam packed Yukon experience so we took them to Skagway, led them on a little backcountry touring excursion and showed them my favourite local spots. It was a great week that culminated in the Funk Is Tight, a Price is Right tribute game/show hosted by local legends Major Funk. Emma got called up and raked it in with her superb knowledge of Superstore prices.

White Pass

Upcoming Fun Stuff

Newsletter Drop

Newsletter vol 3: The Great Olivier Newsletter vol. 3 is coming out this week! I’ll be talking about how to get the best results out of your dehydrator, some backcountry planning tips, and a hearty peanut stew recipe. Sign up now to get it delivered to your inbox!

Upcoming shows

I’ll be playing in Dawson City on May 27th. The day’s going to start with a show at the pavilion from 12-1pm with my quintet ensemble. Afterwards, I’ll be playing with Lorène Charmetant’s jazz group at the KIAC Ballroom at 8pm. Get all the details here.

April 1st - FINALLY A LIVE SHOW!!!!!!

I did it!!!! I survived two years of no performances without quitting music, and now we’re doing it live, in person, and jazz raging!!!!!!

On Friday April 1st, I’ll be performing the new music I composed during my Jenni House Residency inside the black box theatre at the Heart of Riverdale. Oh man…. I need this real bad…. I think I know how to still play in front of an audience?! The show’s going to feature Andy Slade on piano, Toby Moisey on alto flute, Adrian Burrill on trumpet and flugelhorn, Lorène Charmetant on upright bass, and Lonnie Powell on drums and percussion.

There’s going to lots of friends, drinks will be available, and man oh man do I want to jazz party hard.

Hope to see you there!!!

The Great Olivier Newsletter Vol. 1

Hello everyone!

Well, after humming and hawing for a while about if this was a good idea or not, I’ve sent off into the ether my very first newsletter.

I’m experimenting with this newsletter idea because I’m pretty frustrated trying to communicate with friends/fans through ye old traditional social media websites and getting blocked by algorithm bs. If I want to send a message about a new song, concert or project, facebook and instagram will deliberately limit its reach until I pay promo money. It sucks..

I’m challenging myself to follow through with this idea for at least a year and let’s see how it goes. Check out the first edition and see what you think. It’s got some fun commentary on spotify, a really tasty recipe for powerball snacks, and step by step how-to instructions on building a quinzhee shelter (surprise, it’s a totally unique technique).

In other news, “Dogs For Emma” is now available on most streaming platforms. Find a link to your favourite streaming service here.

“DOGS FOR EMMA” IS RELEASED!

This is it! “Dogs for Emma” is now online!! (It’s my birthday, so consider it a gift from me to you). You can listen/buy/download it on Bandcamp, and it will follow on spotify and other platforms in early February. Physical CD’s are also available on my Bandcamp page.

 

I’m excited, and kind of relieved to finally be able to share this album with you all. It’s been a really important project for me and it’s rekindled my love of composing and recording. This project came along when my relationship with music was pretty rough. To be honest, I was getting close to quitting music. I was unimpressed with my trumpeting, uninspired by what I’d recorded in the past, and I couldn’t really see the point of committing so much time into something that didn’t give back. Then, in the summer of 2020, on a whim I put my name into a draw for studio time at my friend Colin’s studio (shoutout to SSDP Studios) and low and behold I got picked! I arrived at his studio with no plans, no ideas, and no chops (I hadn’t been playing in months). Completely useless without any kind of vision, Colin set me up in a little room with a mic and an 8 track recorder and I spent the next week writing songs, layering horns, and recording keys and weird synths. It was amazing to be back in the studio and actually creating new ideas!

I finished my little demo residency with seven news songs and lots of inspiration and stoke. I used one of the tracks to get a little bit of funding from the Yukon demo grant fund and spent all winter recording more horns and keys with my computer’s built-in mic and garageband. By springtime, I was in the studio at Green Needle Records re-recording horns, and my friends Austin Tufts and Aidan Knight were helping me at Catalogue Studios recording drums. Many months of mixing and a little mastering later, “Dogs For Emma” was finally finished and ready for listening.

“Dogs For Emma” is the first time I’ve ever been truly happy with my own project and feels like the first step towards realizing the musical ideas that have been in my head for over a decade. I want to create music that’s driven by the melodies, by the sounds and by the vibes and not by some wanky eight minute jazz solo (I can’t do that stuff anyway). Touring, hanging out, and listening to people like Colin Sigor, The O’Darling, Aidan Knight, Nick Everett/Mauno, Hannah Epperson and Karkwa (to name a very very few) were pretty instrumental to how I want to make music and their influences fuel all my ideas. I also want to give some major shout outs to my partner Emma Dobson for everything she does, Jazz Yukon for their unending support, Austin Tufts for his enthusiasm, and Aidan Knight and Colin Nealis for their invaluable feedback and production help. These people are awesome.

Anyway….
“Dogs For Emma” is out now! Give it a listen if you want something a little different and mostly weird. I hope you like it because it’s the best I can do.